Ying Li

SUN, DEC 6, 2026
4:00PM / Lincoln Performance Hall, PSU

“telling such noble tales”

JOHANN SEBASTIAN BACH, ARR. FERRUCCIO BUSONI

Chaconne in D Minor (from Partita no. 2 for Solo Violin, BWV 1004)

AMY BEACH

Four Sketches, op. 15
1. In Autumn
2. Phantoms
3. Dreaming
4. Fireflies

IGOR STRAVINSKY, ARR. GUIDO AGOSTI

L’Oiseau de feu from The Firebird

QIGANG CHEN

Instants d’un opéra de Pékin

FRANZ LISZT

Grande Paraphrase de concert on Rigoletto (Verdi)

Réminiscences de Norma (Bellini)

  • Box Office

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    Seating Map (PDF)

    We participate in the Arts for All ticketing discount program. Student tickets, $10.

    Questions? Call (503) 228-1388
    or email info@portlandpiano.org.

    Lincoln Performance Hall at Portland State University

    1620 SW Park Ave (at Market St.)
    Portland, OR 97201

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    Parking is available nearby in PSU Parking Structure 2, diagonally across the street from Lincoln Hall. However, there is a parking fee. Please visit the kiosk at the entrance and have your license plate number handy. Park in the areas marked "Permit Parking Only".

    For more information about parking and Lincoln Performance Hall, call our office at 503.228.1388. Office hours are Monday through Thursday 9am - 4pm.

  • PRE-CONCERT LECTURE: Arrive early to the concert and listen to an insightful pre-concert lecture given by Bill Crane, Executive Director, and Amelia De Vaal, Director of Operations and Resident Musicologist — 3:15 PM.

    PROGRAM NOTES: Get a start on learning about this program by reading the program notes.

GET TO KNOW Ying Li

NATIONALITY:

Chinese - American

Media Applause

“Runs, passage work, and trills sparkle, with not a note out of place.”

Ionarts

What is a piece of music you return to when you need to remember why you became a musician?

Chopin, Nocturne in C-sharp Minor, op. 27, no. 1.

It is one of the pieces that stayed with me throughout my

childhood, and I still return to it often. I have always been drawn

to the way the piano’s sound lives in the air — how its textures

and sonorities seem to bloom and travel through space.

What is a work of art that you think more people should know about and why?

Giuseppe Sanmartino’s Veiled Christ

Seeing it in person at the Sansevero Chapel in Naples was one

of those rare experiences that completely stopped me in my

tracks. I remember standing there, just staring, and losing all

sense of time.

How do you unwind after a performance?

A hot meal, a glass of wine, and a little distance from music.

After a performance, I usually want something very simple

and comforting — a hot meal, maybe a glass of wine, and a

chance to come back down emotionally. I actually like to step

away from classical music for the rest of the day and just be a

“person” again instead of being the “artist.”

What is a place in the world that has changed the way you think about sound?

The lakeside landscapes of northern Italy and Switzerland

Whenever I travel to the lakes of northern Italy or Switzerland,

I experience sound differently. The combination of water,

mountains, fresh air, and open space changes the way I listen

and imagine. I hear music there in a way that feels completely

different from hearing it in a practice room.

What is something you’ve learned to do in the last five years that has nothing to do with the piano?

In the past few years, I taught myself how to skate, and I’ve also

learned to cook. Both have been surprisingly meaningful for me.

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