ERIC LU
SUN, NOV 16, 2025
4:00PM / Lincoln Performance Hall, PSU
Witness a champion! Eric Lu just conquered the 19th International Chopin Piano Competition in Warsaw, claiming First Prize in one of classical music's most prestigious competitions—held only once every five years and watched by millions worldwide. Now he brings his triumphant, prize-winning interpretations straight from the Warsaw stage to Portland. This is your chance to hear a newly crowned Chopin Competition winner in the intimate acoustics of Lincoln Performance Hall, performing the electrifying repertoire that captivated international judges and earned him global acclaim.
Here's what makes this even more remarkable: Portland Piano International booked Lu eighteen months ago, well before his historic victory—proof of the sharp curatorial instinct that has consistently brought tomorrow's legends to Portland for nearly 50 years. Lu was originally scheduled for May 2024 but postponed due to a hand injury. Now, after recovery and competition triumph, the 27-year-old virtuoso finally arrives for his long-awaited Portland debut.
Lu's program traces his artistic journey through recovery and competition triumph. Schumann's Arabeske, op. 18 and Schubert's Four Impromptus, op. posth. 142, D. 935—works he recorded for Warner Classics and has perfected through intensive focus—open the afternoon with lyric poetry and virtuosic dialogue. After intermission, Chopin's Polonaise in B-flat Major, op. 71, no. 2 and the monumental Sonata No. 3 in B Minor, op. 58 showcase the very repertoire that helped Lu claim victory in Warsaw. Already the first American to win the Leeds Competition since Murray Perahia in 1972, Lu now joins the ranks of legendary Chopin Competition winners including Martha Argerich, Krystian Zimerman, and Maurizio Pollini. After the wait, after the recovery, after the triumph—he's finally here.
“a momentous, poetic touch”
ROBERT SCHUMANN
Arabeske, op. 18
FRANZ SCHUBERT
Four Impromptus, Op. posth. 142, D. 935
FRÉDÉRIC CHOPIN
Polonaise in B-flat Major, op. 71, no. 2
Sonata No. 3 in B Minor, op. 58
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Box Office
Seating Map (PDF)
We participate in the Arts for All ticketing discount program. Student tickets, $10.
Questions? Call (503) 228-1388
or email robin@portlandpiano.org.Lincoln Performance Hall at Portland State University
1620 SW Park Ave (at Market St.)
Portland, OR 97201Driving Directions | Trimet Directions
Parking is available nearby in PSU Parking Structure 2, diagonally across the street from Lincoln Hall. However, there is a parking fee. Please visit the kiosk at the entrance and have your license plate number handy. Park in the areas marked "Permit Parking Only".
For more information about parking and Lincoln Performance Hall, call our office at 503.228.1388. Office hours are Monday through Thursday 9am - 4pm.
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PRE-CONCERT LECTURE: Arrive early to the concert and listen to an insightful pre-concert lecture given by Bill Crane, executive director, and Amelia De Vaal, Resident Musicologist — 3:15 PM.
PROGRAM NOTES: Get a start on learning about this program by reading the program notes.
GET TO KNOW ERIC LU
NATIONALITY:
American
MEDIA APPLAUSE:
“…pliant, gossamer touch, favoring watercolor strokes over geometric blueprints…”
— Chicago Tribune
Where do you find inspiration to create music?
The inspiration to create music I think is always there. Even if perhaps today I don’t want to play this piece, I will find the urge to try a different piece, or even just read a piece I’m not working on.
Which field outside of music most influences your creative process (art, design, architecture, fashion, film)?
For me, I would have to say art. It has so much diversity that you can find in all kinds of evocations, colors, atmospheres, and styles. This can have direct or indirect relations to musical themes, or specific ideas in music.
Describe a routine you have in place that helps you live a healthier life?
I think the simple answer, which is not necessarily a routine to maintain a healthier life, is to enjoy those other great moments in life apart from music. It can be as simple as finding time to spend with friends, family. Time for oneself to either do nothing, or go about the day in a way completely not thinking about the pressures of performing, or practicing. I think this time has to be there for sure.
What is one specific product you highly recommend?
I have two products that I try to take everywhere with me whenever I have a performance. One is a small portable massage-gun that I use frequently at all times of practice, before/after. The other is a hot/cold machine that either warms the hands, or uses cold to increase blood circulation, and/or relief after a strenuous practice or concert.